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Pacific Rim Enthralls with Giant Robots Fighting Angry Monsters

Pacific Rim © Warner Bros. Entertainment Inc. All rights reserved

The following review originally ran on Starpulse.com in 2013.

Guillermo del Toro’s Pacific Rim is the BEST giant-robots-fighting-things flick of all time. Considering how low movies like Transformers and Robot Jox set the bar, that statement may sound like a backhanded compliment. It’s not though, because Pacific Rim is truly this genre’s highest caliber film to-date. The picture’s exemplary special effects, editing, camerawork, and implementation of 3D cooperate to create a miraculous, yet convincing world where humans pilot massive mechanical men to combat mammoth monsters.

In this sci-fi tale written by del Toro and Clash of the Titans scribe Travis Beacham, hostile behemoths called kaiju arrive on Earth through a rift in the Pacific Ocean. Initially the kaiju demolish cities, although after a few tough bouts, humanity develops a defense against these otherworldly foes: The Jaeger Program. Through the initiative, pairs of people operate enormous robots known as Jaegers, utilizing a complex system that links their brains together. A global coalition of Jaeger jockeys has been successful at stopping the kaiju, until now.

Kaiju are starting to come through the breach quicker, larger, and in greater numbers, which is destroying Jaegers faster than they can be built, while simultaneously disintegrating public confidence in the program. As mankind grapples with how to defeat the monsters and seal the gateway for good, it is pushed to the brink of the apocalypse. The only thing standing between the human race and total annihilation is a jaded former Jaeger pilot Raleigh Beckett (Charlie Hunnam) and his nervous rookie partner Mako Mori (Rinko Kikuchi). But can they conquer their respective hangups to save the planet?

From a technical perspective, Pacific Rim is phenomenal. Its lovingly designed and executed special effects give the technology in the film a slick, futuristic aesthetic while maintaining a believable, modern quality. On top nailing the look of this movie, del Toro’s team expertly handles scale, so that you always grasp the incredible size and power of the Jaegers and kaiju in comparison to the average person. Throughout the chaotic battle sequences and their aftermath, del Toro’s editing is handled carefully and his gliding camerawork is smoothly executed in a way that allows you to not only see the action clearly, but to be transported directly into it.

Of course, what would a massive robots-fighting-monsters movie be without 3D? Guillermo del Toro’s movie is one of the few where the medium works effectively in tandem with the storytelling. Cars and objects are frighteningly hurled at your face, while you’re battered with rain and smoke. There’s enough precipitation for Seattle and London combined, which borders on excess, without actually reaching it.

For a rebel who doesn’t play by the rules, Charlie Hunnam’s Raleigh is maddeningly vanilla. His partner Mako is equally disappointing because she fulfills the shy, subservient Asian-girl stereotype. The best characters in the film are supporting ones like Idris Elba’s gruff Jaeger commander, Clifton Collins Jr.’s enthusiastic head techie, Ron Perlman’s seedy black market guy, and the wacky researchers portrayed by Charlie Day and Burn Gorman. Day is particularly amusing as he channels his Always Sunny in Philadelphia manic energy to into this mad scientist role.

The only area that Pacific Rim falters significantly is in its writing. As an overarching narrative the movie is solid, however it’s frustrating that the main female character is treated so misogynistically by her male counterparts. They’re constantly trying to protect her either from external threats or herself, instead of trusting her strength and abilities. Also, the dialogue and the narration in “Pacific Rim” are incredibly stupid, to the point that they almost drag the picture down. This movie is enthralling, and briskly paced enough, that you’re likely to overlook these shortcomings. Like me, your nine year-old-self will probably have too much fun watching giant robots beating the crap out of angry monsters to care.

✭✭✭✭ ½

Evan Crean: Hello! My name is Evan Crean. By day I work for a marketing agency, but by night, I’m a film critic based in Boston, MA. Since 2009, I have written hundreds of movie reviews and celebrity interviews for Starpulse.com. I have also contributed pieces to NewEnglandFilm.com and to The Independent, as a writer and editor. I maintain an active Letterboxd account too. In addition to publishing short form work, I am a co-author of the book Your ’80s Movie Guide to Better Living, which is available on CreateSpace and Amazon. The book is the first in a series of lighthearted self-help books for film fans, which distills advice from ’80s movies on how to tackle many of life’s challenges. On top of writing, I co-host and edit the weekly film podcast Spoilerpiece Theatre with two other Boston film critics. I’m a founding member and the current treasurer for the Boston Online Film Critics Association as well. This site, Reel Recon.com, is a one-stop-shop where you can find links to all of my past and present work. Have any questions or comments after checking it out? Please feel free to email me (Evan Crean) at: ecrean AT reelrecon DOT COM .

View Comments (4)

  • The cliche character types in the film were a surprise. I loved the action and my boy thought it was great. To be honest I was expecting more of del Toro's delightful creepy strangeness.

    • Thanks for reading Adam. Generally I was glad with how Pacific Rim turned out. I was fine with the low level of creepiness because I think too much would have felt out of place. Ron Perlman's Hannibal Chau and his gang out kaiju harvesters were plenty unsettling for me haha.

  • I think some of the writing issues might’ve been because the classic films of this genre often have simplistic characters as well. I enjoyed it. Probably not as much as you did, but it was good fun.

    • Yeah, after reflecting more on it, I do think the style of writing is probably tied to the genre. Thanks for reading Mark!

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